Microphones were placed inside and around the studio.
All activity within the duration of the project were recorded:
spontanious improvised music, conversation and ambiences alike.
There were live-rooms for drum-kits, electric guitars, bass and trumpet.
An acoustic room for acoustic guitars, harmonica and percussion,
a vocal room for vocals, flute and computer/sound-effects,
a conversation room for philosophical discussion,
and a mixing room to tie it all together in real-time.
Microphones were placed outside and around the studio
to capture
outside activity and ambiences from the surrounding forest.
Visual artists and musicians/engineer were working in parallell,
encouraged to let their actions become totally spontanious
based on the creative flow of the moment..
